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Ed Atkins
Ed Atkins (1982) is a London, UK based artist best known for his video art and poetry.
== Work ==
Through a practice that involves layering apostrophic text〔Luna, Joe. "Against Immortality as Such", ''JRP-Ringier'', Zurich, 2014, p. 9-10.〕 with high definition video, Ed Atkins makes work in which "The suck and the bloom of death and decay are channeled through technological tools at the height of contemporary image management".〔 Atkins' video oeuvre is composed largely of stock footage〔Biesenbach, Klaus. ("An Intimately, Duplicitously Reflexive Experience" ), ''Flash Art'', November–December 2013. Retrieved on 29 April 2015.〕 and CGI avatars that are animated using motion capture〔(Ed Atkins Interview for British British Polish Polish exhibition at Centre for Contemporary Art Ujazdowski Castle ), Retrieved on 29 April 2015.〕 and dramatic, commercial sound.〔(e-flux announcement for Atkins/Naumann exhibition at Kunsthalle Mainz )〕 Many of these videos feature a computer generated avatar as an isolated protagonist, whose poetic soliloquies intimately address the viewer. This protagonist, often surrounded by generic stock images〔(Ed Atkins Q&A by Richard Whitby ), ''Map Magazine'', July 2011. Retrieved on 29 April 2015.〕 and cinematic special effects, has been noted as capable of procuring the uncanny valley effect.〔Bell, Kirsty. ("Ed Atkins’s “Warm, Warm, Warm Spring Mouths”" ), ''art-agenda'', 1 April 2013. Retrieved on 29 April 2015.〕 In ''Us Dead Talk Love'' (2012), a 37 minute two-channel video work, the avatar speaks on finding an eyelash under their foreskin, a confession that sparks "a meditation on authenticity, self-representation, and the possibility for love".〔Gartenfeld, Alex. ("Ed Atkins" ), ''Interview Magazine'', October 2012. Retrieved on 29 April 2015.〕
Atkins consciously produces the majority of his work on a computer.〔 From this laptop-based process and the works' foregrounding of video technology, he is known for his probing of the material structure of digital video. Often citing structural film artists such as Hollis Frampton as an influence, it is apparent that Atkins is interested in the technological possibilities of new media.〔Bianconi, Giampaolo. ("Artist Profile: Ed Atkins" ), ''Rhizome'', 21 January 2013. Retrieved on 29 April 2015.〕 A prolific writer, Atkins' video works are often derived from writing.〔Hans Ulrich Obrist and Ed Atkins, ("Ed Atkins; Interview by Hans Ulrich Obrist" ), ''Kaleidoscope'', 24 February 2013. Retrieved on 29 April 2015.〕
Atkins has had solo exhibitions at the Tate Britain, the Chisenhale Gallery, MoMA PS1, the Serpentine Gallery, Palais de Tokyo, and Kunsthalle Zürich. At the Serpentine Memory Marathon in 2012 he premiered (''DEPRESSION'' ), a performance work that uses projection, digitally altered voice, and chroma key mask to simulate the cinematic techniques of his videos.〔(Ed Atkins solo show press release - Serpentine Galleries ), June - August 2014. Retrieved on 30 April 2015.〕 In conjunction with the Serpentine Extinction Marathon of 2014, Atkins produced (''www.8007274'' ), a domain that invites users to sign up for a one-sided decade long email correspondence.〔(The Space - Serpentine Extinction Marathon ), Retrieved on 30 April 2015.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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